Originally posted by jamrock
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Ramones took the style of that raw stripped down loud 3-chord punk and wrote songs about chicks, cars, high schools (of course), teenage angst and parties. Very a-political, general themes that kids in America felt - we were the post-post Vietnam kids that didn't give a shit about politics and they spoke to us. Fuck politics, fuck revolution, we just want to get rowdy, ditch school, hit on girls, and party. They stuck more closely to traditional 1-4-5, 1-4-7 etc standard rock chord progressions that were more palatable to larger US audiences. They were the first big US band (not the only) that modulated the punk vibe by refining it to a package that could sell to mass appeal and led many bands after them to the further modulation that became new wave with fellow CBGB travelers like Blondie etc led. They also inspired much of the rockabilly that came just after them. Loved Ramones, they were utterly brilliant in an Andy Warhol minimalist way, back to the most simple and pure form of rock n roll - I too didn’t like hard core punk then. Ramones reached audiences 1000x+ what most punk bands ever could access thru this brilliant evolution.
Dead Kennedys were just after Ramones but more true to the punk spirit, hence they stayed in that much smaller but devoted niche.
then of course too many new wave bands got too many synths and sequencers and turned that genre to complete shit lol.
Tom Petty in like 79 80 era when he first broke was really good. completely different, of course, and very good his whole career, but I’m most fond of his initial (first 2 albums) work that had a tad more rock edge to it and less studio production quality - even if his biggest hits came later. He avoided getting pigeon-holed into any single era-limted genre, which enabled his career and impact to span multiple decades.
I love thinking about how music evolves, reforms, cycles back, and moves forward over the decades. good memories, thanks for taking us with ya ...
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